In the early 1970's, I initiated this linearesque technique of drawing landscapes. I was experimenting with mechanical drawing tools when I discovered I could create an impressionistic landscape by juxtaposing thin lines of color across a sheet of paper. I soon became curious about how my own work related to the Impressionists and neo-Impressionists of the late 1800's. I saw a parallel in our concepts as both their work and my own require the optical intermingling of exclusively pure colors. I also found that their subject matter was closely aligned with my response to the subtleties of light and its effect on the calm countrysides, activated by sunshine and sea, and by everything that sparkles, teems, and splashes in the bright light.

My art is visionary, inspired by the feeling for landscape and the challenge of manipulating horizontal lines to define the images. I enjoy incorporating this technical approach to spontaneous creativity.

I want to communicate some of the beauty I see in God's creation, our surrounding landscapes.

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Eventide	Hosanna	Koinonia	Lilly of the Valley	Morningstar
Rose of Sharon	Son of David	Onias	Island Sunset	Morning On the Seine
Cyrene